Psychology of art: a psychosemantic analysis of perception and understanding of a feature film
31 Iss. 1 pp. 24–31 | St. Petersburg State Institute of Psychology and Social Work | ISSN: 1993-8101
Vol. Abstract
Based on the perception of a film on Buddhist themes, the depth of its understanding by a student audience is explored, the system of personal constructs (Kelly) of the film’s perception is highlighted and personal meanings that have arisen to the audience, depending on understanding of the work, are analyzed. The article has a pronounced interdisciplinary character; it intersects the interests of psychology of art, semiotics of cinema, psychology of religion, problem of ethics.
Keywords
psychology of art, problem of understanding, meaning, psychosemantics, personality constructs, feature film, Buddhism, empathy, semantic spaces
Citation
Petrenko V., Dedyukina Y. Psikhologiya iskusstva: psikhosemanticheskij analiz vospriyatiya i ponimaniya khudozhestvennogo fil'ma [Psychology of art: a psychosemantic analysis of perception and understanding of a feature film]. Uchenyye zapiski Sankt-Peterburgskogo gosudarstvennogo instituta psikhologii i sotsialnoy raboty — Scientifc Notes Journal of St. Petersburg State Institute of Psychology and Social Work, 2019, 31, 1, pp. 24–31 (in Russian)
Citation — Harvard Notation
Petrenko, V.F. and Dedyukina, E.A. (2019), "Psychology of art: a psychosemantic analysis of perception and understanding of a feature film", Uchenyye zapiski Sankt-Peterburgskogo gosudarstvennogo instituta psikhologii i sotsialnoy raboty, vol. 31, no. 1, pp. 24–31
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